Fragments of a Creative Journey – @michelafabeniart Social Diary, Art Gallery, Creative Processes of Her Textured Smussato Bas-reliefs in Constant Metamorphosis
- michelafabeni

- Dec 26, 2025
- 2 min read
Updated: Jan 3

My social media are a public, open diary.
Here I share the heart of my work: my personal Smussato technique, the bas-reliefs that take shape, but also my thoughts, emotions, poems, and texts. These spaces are not meant to seek approval or recognition, but to leave a living, authentic trace in the world. It is lived, written, transformed, and leaves a trace.
They are a natural extension of my artistic practice: I show what happens at the very beginning of a work, during the creative process, and in the evolving journey that follows.
The artworks are never finished: they undergo continuous metamorphosis. Matter changes, opens, resists, interacts with the elements of the universe, with light, with time, gesture, and patience.
On my social channels I share the before and after, but above all the during—the moment when a piece is still vulnerable, in listening, in transformation.
It is here that visions emerge, doubts, intuitions, words yet undefined. It is here that art intertwines with life and becomes a shared experience.
The gallery, material details, studies, texts, and reflections find in social media a space for breath, light and creativity. Not a showcase, but a path. Not a display, but an immersion. Art is not presented as a result, but as a living process, as a body that feels and changes.
Following my social media means entering my creative world, observing the birth of artworks, witnessing their transformations, reading my thoughts, feeling the emotions that accompany each gesture. It is an invitation to look deeper, to feel, to be part of a journey of presence and truth.
Follow me on all my social channels and enter my public diary @michelafabeniart www.michelafabeniart.com
Read my post on Sparks of Light to continue the journey through light and matter
Michela Fabeni
Artist of the Third Millennium




