Seven ears in the field of time
Technique Smussato
Material bas-relief on canvas, hand-shaped with palette knife and bare hands using organic materials, gold leaf.
Support
Canvas with layered material buildup
The work develops as a field of ears of grain emerging directly from the surface of the canvas through a continuous gestural process. 
The material is modeled with a palette knife and bare hands, using organic substances that give the work a living, almost skin-like quality.
The seven ears of grain become a formal and symbolic core of growth that expands beyond numerical measure, opening the composition to an extended dimension of time and perception.
The reference to amplified repetition introduces an internal movement between order and infinity.
The surface does not depict a landscape but generates it: light, shadow, and material thickness construct a presence that expands and contracts within the rhythm of the gesture.
The field forms as a silent organism, where matter becomes a trace of time and passage.